Arwed Messmer – RAF. No Evidence / Kein Beweis Blitz & Enzianblau

Arwed Messmer – RAF. No Evidence / Kein Beweis Blitz & EnzianblauHatje Cantz 2017 Numerous accounts of the RAF and the German Autumn in 1977 have been chronicled over the past forty years, from journalistic, historical, literary, cinematic, and artistic perspectives. Arwed Messmer begins with the various photographs made by police photographers at the timepictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed

these photographs capture the life and activities that occur within the shifting landscape of Manhattan

Gregory Halpern has explored the elusive

With this book

These photographs described a lifestyle that was visceral

Stepping Out Into This Almost Empty Road looks at the moment of change when the most idyllic scenario becomes a horror of a political regime

ranging from stereotyping to xenophobia- an ideal of a ‘’dream homeland’’ eases the daily disappointment and provides a mental and psychological shelter to those in need

They told Kandel that she should come take pictures at their homes

Not abstract and yet so mysterious

everyone seemed to have more time

usually in black and white

Anno Wilms

this hybrid essay draws on the ambulatory works of writers such as W